Kansas City Lesbian and Feminist Stories are the Focal Point of Kemper Museum’s Current Annual Atrium Project

By: Nicole Mitchell

Emerging and mid-career Hispanic and Latinx artists in Kansas City get the opportunity to highlight societal themes through the exploration of subject and scale with the Kemper Museum of Contemporary Art’s annual Atrium Project. On display through July 28, the Kemper’s eighth annual Atrium Project exhibition, So the roots be known, offers a lens into the intersection of feminism and Exhibition Artist Sarah Zapata’s personal experience with her lesbian identity.

In her practice, Zapata navigates identity, community, lineages, counterculture, and histories of resistance through intentional usage of color, iconography, and textile techniques—such as acrylic yarn and natural fibers.

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Women to Watch—A New World: 2024, KC’s newest art exhibit

By Nicole Mitchell

Kansas City’s Kemper Museum of Contemporary Art is opening its newest art exhibit this month: the Women to Watch exhibition (Women to Watch—A New World: 2024). The series has been held every few years and invites women artists from across the country to respond to a theme picked by Washington, D.C.-based organization National Museum of Women Artists (NMWA) curators. Kemper participated most recently in the series in 2019 with Paper Routes—Women to Watch 2020. This exhibition will be the seventh total installment of the Women to Watch series.

The theme for this year’s exhibition was inspired by the events of 2020, including a global health pandemic, intense calls for social reform, and political division. Artists across the U.S. used this as inspiration to express visions of a new world.

This year, Kemper’s presentation of Women to Watch—A New World: 2024 features five local artists Mona Cliff/HanukGahNé (Spotted Cloud) (Aaniiih, born 1977), Bianca Fields (American, born 1995), Bev Gegen (American, born 1937), Melanie Johnson (American, born 1978), and Sun Young Park (South Korean, born 1990). The presentation was juried by Kemper Museum Director of Curatorial Affairs Erin Dziedzic and presented in cooperation with the Greater Kansas City Area Committee of the NMWA.

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