To be a woman takes guts

By Kelcie McKenney

This poem was first published in Tessellation, a poetry and photography zine with all proceeds benefiting Barrier Babes—a Kansas City nonprofit that strives to promote inclusive and unapologetic sexual health education. Read more about the project.

To be a woman takes guts
Guts that leave blood stains on silk dresses and middle school seats
Guts that spill when you share the name of your crush at a slumber party after too much mountain dew and nail polish remover
Guts that leave a cold stain down your thigh after one missed period

To be a woman takes guts
It’s standing up for yourself after the room has spent the whole meeting talking over you
It’s learning to walk back to your car with keys between your knuckles every night
Its wiping the mascara from under your eyes and telling the reflection you can be both soft and strong

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How Caley Rose Uses Her Music as a Form of Empowerment

By Nicole Mitchell

Caley Rose is a female empowerment pop singer of four years—and she’s just getting started. So far, her music has been in commercials, she’s been streaming her music creation, her single “GAME OVER” is on the Billboard charts, and, coming up soon, Rose will be performing at an event this Saturday in Chattanooga, Tennessee.

While Rose has been booked and busy regarding her music career recently, it wasn’t always that way. “I was always a singer,” she said. “But I got lost along the way and took some detours.” Her original end goal was to join Broadway as a performer. “However, if I was honest with myself, I really just wanted to do pop music.”

It took Rose a while into her music career to make the switch to pop. “I was working with different producers, and I wasn’t a songwriter,” she said. At the time, Rose followed the lead of what her songwriters wanted her music to sound like. “It wasn’t until four years ago that I started songwriting,” she explained. “Once I realized myself as a writer, I saw myself as a singer.”

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I am a coward.

By Lauren Conaway

I am a coward.

When the doctor told me I was pregnant, I was dumbfounded. The room was cold. I was vulnerable in my little robe, and his words echoed for what seemed like hours.

How could this be? I was on the pill. Every month, I called Planned Parenthood. I made sure to pick up that prescription, and I took that tiny, politicized pill religiously. 4:00 p.m. on the dot, every day. I later came to find out that I’m what’s called a “fast metabolizer,” a concept I didn’t even know existed until it was too late.

I was almost two months along. I was almost 20 years old.

My periods had always been a bit irregular so the first tip-off was the constant vomiting. I was so, so sick. From the moment I woke up to the moment I put my exhausted head on the pillow, I felt like an absolute trainwreck. Unable to keep food or even water down, I lost almost 20 pounds over the course of a month. Later, as I watched Kate Middleton grapple with hyperemesis gravidarum during her first pregnancy, I felt a pang of recognition. Is that what I was experiencing so many years ago? I’ll probably never know.

At the time, I was 3 months past a PTSD-fueled nervous breakdown and the subsequent ending of my brief and dramatic college career.

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Trauma Bonded: How writing a show about my assault helped me heal.

By Chloe Burns

“You need to address this now,” my therapist told me at a regular appointment in December of 2019, her tone more stern than I’d heard her before. “The longer you wait, the harder it will be to correct.” 

She was referring to my laundry list of trauma symptoms—a collection of hyper-vigilance, chronic insomnia, disorganization, nightmares, panic attacks, and dissociation—I had been dismissing for years until I experienced an assault at work in October of 2019  and those symptoms came crashing back. I was then unemployed, living off of my dwindling savings, and spending my days alternating between crying and watching TV with my eyes unfocused. I hadn’t been in Los Angeles for a full year, and already, I was at an impasse.

In June of 2019, I moved to LA to pursue acting and filmmaking, and the business of my life had helped me manage my existing trauma symptoms so far. Running between background acting jobs on television sets and acting classes to my various jobs left me happily exhausted at the end of the day, my mind distracted from the anxieties and hyper-vigilance that tormented me in the quiet. 

But when I was violated at work that fall, my systems shut down completely, and I could no longer lean on my lifestyle for distraction. My ability to sleep was destroyed. My body felt so numb that I frequently mistook my own heartbeat for the earthquake tremors I had experienced since moving to the coast. Anxiety flooded my veins so ferociously that I was exhausted before my day even began. Yet, rest was out of the question. Unexpected noises caused me to lurch out of my seat,  but my limbs felt so heavy I doubted my ability to defend myself against even the slightest threat. I was somehow moving one hundred miles an hour while stuck completely still. Every day that passed meant more of my savings vanished, and by the time COVID sent the nation into their homes, I knew something needed to give.

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The Wolf

By Reese Bentzinger
Photo by Justina Kellner

Content Warning: Sexual assault.

You’re so pretty baby 
He shoots me a grin, pearly whites 
turned neon by strobe lights. I turn to the bartender 
thank her as she slides me a fireball shot. Close my fist 
make crisp dollar bills crumple like leaves. He slides over his card before I 

Whatever you want baby 
I offer a polite smile, and he gives me an unwanted hand 
that draws me over to a leather couch, his hunting ground. Precious stones claw into my skin
drawing blood as they leave his mark on my palm. He eyes my dress, 
red silk, and wants to know what I would 

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