Tag: film

Filmmaker Sav Rodgers, Director of Chasing Chasing Amy, is Back and Working on a New Film

By Shelby Faulkner

Director Sav Rodgers is working on a new film, and he’s teaming up with some amazing folks in the film industry—and you—to make it a reality.

Sav is best known for his acclaimed documentary Chasing Chasing Amy—a deeply moving film that explores the impact of Kevin Smith’s 1997 comedy Chasing Amy on the LGBTQ+ community and, more importantly, Sav’s exploration of his own identity as he processes this film’s role in his own coming out and transition.

Pancake Skank, his new comedy short, promises to be a surreal film that celebrates queer people and the fun of cinema.

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Chasing Chasing Amy, a Documentary Exploring LGBTQ+ Belonging in Film, Showing in Theaters

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By Kelcie McKenney

Director Sav Rodgers’ documentary Chasing Chasing Amy is coming to select theaters on November 1st. 

The theater release comes just over a year after debuting at Tribeca Film Festival in June 2023 and an award-filled stretch on the festival circuit—Best Documentary at FilmOut San Diego, 2023 Popcorn List Selection at Festival Favorite Films, and Grand Jury Prize Winner at Hell’s Half Mile Film & Music Festival, to name a few amidst the 76 different festival showing.

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What is the point of the Bechdel test? It might not be the feminist media measurement we need.

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By Molly Stein-Seroussi
Art by Maddy Best

A note: In this piece, the terms “women/woman” and “female characters/representation” are intended to describe anyone who identifies with feminine identities and stories, regardless of whether they identify as female.

I work in film production at a company run by women. Representation of women in media is something we think about deeply and often. We just released a film that doesn’t pass the Bechdel test, but even so, this film was made to call out patriarchal structures that harm women. 

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Why we need more of the female gaze in Hollywood

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By Ayanna Smith
Art by Maddy Best

If you type “male gaze” into the search bar on Twitter or TikTok, you’ll be met with thousands of hot takes on the issue. From videos questioning whether a new TV show really gives depth to the female protagonist to explanations of why a beloved 90s film is actually super misogynistic, they all call for more media that showcases the female gaze. Let’s dive into what that means.

You know the male gaze when you see it. It’s when a female character’s purpose is to pleasure the male protagonist. We barely know anything about her or her objectives, she’s just there to help the protagonist achieve his goals. Take most of the James Bond movies as an easy example of this: his female co-stars are often objectified and seen as passive helpers. 

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Feminist-friendly frights: Horror movies worth a watch

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By Sophia-Joelle Oswald

For a movie to pass the Bechdel Test it must have at least two named women who talk to each other about something other than a man. Which is, quite frankly, the bare minimum. Thousands of movies have been tested for the Bechdel Test, but less than 57% of the films in the database meet all three of these criteria. 

Horror is the only film genre where women speak as often as men. Shocking, right? (Ha, see what we did there.)

Many horror movies put women at the center, giving them a chance to tell their own stories and share their points of view. 

As with all genres, there was a time when horror movies constantly portrayed female characters in an unempowering light. The final girl trope is the perfect example of this. The final girl is the last woman left alive at the end of a horror or slasher film. She alone is still standing, left to either defeat the killer or describe the series of events to the authorities. The final girl is a major part of many successful horror movies like Scream, A Nightmare on Elm Street, and Halloween. 

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